Essays

Some writing and reviews on cinema that I see throughout the year. Hopefully entertaining with an attempt to look at current cinema from different angles.

Mid90s: The Absence of Skill

From its opening gates, Jonah Hill’s Mid90s presents a protagonist without anything to do. Stevie is bored. As audience members who are fluent in storytelling, we assume that he is going to be given an activity, a skill, anything to push the story forward. And then, not shortly after the movie starts, there it is— skateboarding.

Read More
Miko Reyes
Apostle: Objectivity in Eco-horror

Unlike other eco-horror films, Apostle begins in a world where nature has been conquered (at least physically). Therefore, it doesn’t bother itself on the battle between humans and the environment. Instead, it asks the question, “What happens after we win?”

Read More
Miko ReyesComment
A Star is Born: Defining Authenticity

In many online and word of mouth reviews of Bradley Cooper’s A Star is Born, the word “authentic” is pushed around like a badge of honor; It seems as if many popular entertainment outlets are borrowing from the same word bank.

Read More
Miko Reyes
I, Tonya: Form and Content

Consider this article an investigation of the question: Do form and content reflect each other in I, Tonya? This is where the film gets interesting... The answer is a clear yes, and a clear no.

Read More
Miko Reyes
Brick: The Art of Seduction

It seems to me that the action of “seduction” is a reserved for stories of love or eroticism. However, underneath its seedy surface level application lies a simple definition: “to attract powerfully”.

Read More
Miko Reyes